Jul
27

TEJO REMY

Closes in 236 days
At The Museum of Modern Art
Media: Sculpture, Furniture, Product

Since the late 19th century and throughout much of the 20th, designers have celebrated the socially uplifting promise of industrial production, believing the true path to modernity lay in standardization. A designer’s job was to conceive a model that could be converted into a working prototype—a blueprint for a series of objects, each identical and manufactured according to exacting rules. Yet it is human nature to crave individuality, and since the 1980s designers have sought to inject “chromosomes” of unique identity into objects produced on an industrial scale. Digital technology has made the dream of creating families of objects with common traits and distinct behaviors a reality; today, the model is the working prototype is the series. Standard Deviations showcases objects and designs in the Museum’s collection that belong to families, including an important recent acquisition of 23 digital typefaces, on view here for the first time.
[Image: Tejo Remy. "You Can’t Lay Down Your Memory Chest of Drawers." 1991. Metal, paper, plastic, burlap, contact paper and paint, 55.5 x 53 x 20” (141 x 134.6 x 50.8 cm). Manufactured by Tejo Remy for Droog Design, the Netherlands. Frederieke Taylor Purchase Fund]

 

 

 

 

 

Jul
27

TERENCE KOH

“The melancholic beauty and sublime transcendence of emptiness, evocations of darkness that create our isolated worlds”

Monochromatic and ritualistic…those are two constant impulses of Terence Koh’s art work and this show maintains that pulse with unflinching intent. Staged as a kind of conceptualist opera “Adansonias” renders the Thaddeus Ropac gallery into an all white set with Koh in (what else ?)…the starring role alongside 8 white clad characters. “Adonsonias” is broken up into 8 acts with an aesthetic evoking Beckett, Antoine de Saint-Exupéry, Anton Reicha and the vagaries of French New wave cinema. All that said, it all looks likea pretty fabulous editorial waiting to happen which in TI’s wilfully superficial mind is a compelling ideal.

 

Jul
27

TAKASHI MURAKAMI

The marvelous chambers of the Chateau de Versailles boast such overwhelming splendors of decor and craft that it might seem the height of folly to pit the works of any one artist against them. But in fact, such a collaboration turns out to be a formula for great success, when the right artist is given the reins. Jeff Koons managed it in 2008, and in 2010, Japanese Pop impresario Takashi Murakami rose to the challenge. In a grand hall sporting a vaulted .

 

His marvelous chambers of the Chateau de Versailles boast such overwhelming splendors of decor and craft that it might seem the height of folly to pit the works of any one artist against them. But in fact, such a collaboration turns out to be a formula for great success, when the right artist is given the reins. Jeff Koons managed it in 2008, and in 2010, Japanese Pop impresario Takashi Murakami rose to the challenge. In a grand hall sporting a vaulted ceiling thick with paint and gold stands a snowman like construction, stacked spheres of grinning Technicolor flowers that sprouted gleeful tentacles and antennae, while a blonde manga minx in a near-pornographic maid’s costume offers an exuberant gesture of welcome. This is my Versailles, manga style, Murakami declares, throwing down the gauntlet to those who would preserve Versailles from such glorious and fantastical encounters; I am the Cheshire cat that welcomes Alice in Wonderland with its diabolic smile, and chatters away as she wanders around the Chateau. Across 125 color plates, this magnificent volume documents the show’s22 works, which included seven new sculptures never before exhibited. Takashi Murakami was born in Tokyo in 1963. Having studied traditional arts such as Nihonga, he quickly found ways to update their imagery through Japan’s burgeoning otaku (geek) culture of manga and anime. Murakami’s Superflat style and emphasis on readily grasp able imagery with an edge has led to a Warhol-esque production plant generating t-shirts, key chains and plush dolls alongside painting and sculpture. He has also collaborated with Marc Jacobs, Louis Vuitton and Kanye West. In 2008 Murakami was named one of Time magazine’s100 Most Influential People, and was the only artist to make the list.

 

Jul
27

SAMARA GOLDEN

Samara Golden’s colorful, multifaceted video and sculptural installations have been popping up quite a bit in New York City recently. Earlier this year, the artist’s “Yes no party” was set up within an alcove in the basement of the Sculpture Center in Queens as part of the group exhibition “In Practice Winter ’09.” Golden then presented her sculpture “There’s more but it’s invisible” at Columbia University’s 2009 M.F.A. Thesis Exhibition, and this piece is now on view at the Project Room at Marvelli Gallery in Chelsea until June 27. I spoke with the artist at the Sculpture Center and then at her studio, where we discussed her interest in combining video and sculpture, her incorporation of images culled from image searches on the web into her installations, and more. – Chloe Gray

You surf the web for images to incorporate into your installations. Can you talk about your surfing methodology?

Sometimes I start by typing in a broad term like “messy room,” and when I find a good picture I take elements out and print them, such as a lamp or a vase that I like. In other cases I use the “messy room” picture to help me figure out what I’m looking for; I like the mirror in the picture, so I search for “unique wall mirror” and see what I can find. It’s very fun, like making an immediate wish list for a 2D thrift store.

On another level, I’m interested in what photographers call “gaining access”: the ability to have access to other peoples lives. Using the internet allows me access without interfering.

Jul
27

RICCARDO BENASSI

Riccardo Benassi

Riccardo Benassi, collective prearrangement, variable countdown 2010. Courtesy: the artist and Castello Malaspina di Fosdinovo

The contemporary interrupting the historic..it is becoming a tradition. I wonder how that idea would translate in ahistorical America. Imagine the possibilities in Washington DC.

The project Castello in Movimento was born with the aim of transforming the Castello Malaspina di Fosdinovo, a Tuscan Fourteenth century fortress, in a place of meeting and production for artists of various disciplines. This time the chosen artists are Emanuele Becheri and Riccado Benassi. The first, between June 19 and June 27, 2010, realized two works titled Impressione#8 (above) and Impressione#9, that will remain in the fortress of the castle alongside Flavio Favelli’s installation realized for the last edition. The exhibition also presents collective prearrangement, variable countdown, a temporary installation by Riccardo Benassi which occupies various areas of the castle with an elusive approach to the space.

 

Jul
27

FIGURATIVE PROFILE

Arts, Original, figurative

Jul
27

Symphony

Art,Original,Oil painting

Jul
26

(No title)

Jul
25

Primavera

Hochstadt Primavera Oil on canvas 16x20 $325

Jul
25

Jeff-koons

JEFF KOONS VIDEO

        Jeff Koons  ”Puppy”1                      Photographic Print                         30×40  $169.99

 

 

 

 

 

 

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